Hidden Love was one of my first Chinese drama experiences, and it is still a favorite of mine. Victor Ma played Sang Yan, the older brother of the female protagonist, and I remember telling my friend that I wanted to learn about Sang Yan’s story. This spin-off finally gives us his long-anticipated story—a light-hearted yet emotionally intense romance set amidst the wistfulness of what might have been.

The First Frost uses my favorite second-chance and childhood-crush tropes. Sang Yan’s chemistry with his love, Wen Yifan, is filled with tension, camaraderie, and undeniable chemistry, and each scene between the two is compelling. The romance in Hidden Love is uncomplicated, but The First Frost delves into self-discovery, timing, and the bittersweetness of growing up.

The story follows Sang Yan and his childhood friend, Wen Yifan, played by Zhang Ruonan. Their dynamic is always one of teasing and unexpressed feelings. It is a platonic connection that complicates when they fall out of touch, then meet again at a point where you least expect it. The tension between what could have been and what still might be keeps you watching, so when they finally reunite, it is all the sweeter. Unlike the first-love sweetness of Hidden Love, this series explores maturity, emotional barriers, and the challenge of confronting long-suppressed feelings. It’s about timing—too soon, almost lost, and when two people finally meet. With missed chances, tender moments, and fiery arguments, The First Frost is a realistic yet powerfully romantic story that will have you cheering on Sang Yan’s happiness, even when he claims he doesn’t need it.

At the center of The First Frost is Sang Yan, played by Bai Jingting, who brings to perfect life the witty and self-assured yet emotionally guarded character we first saw in Hidden Love. In the first series, he was the protective, sometimes exasperated older brother. Here, we get to see his own vulnerabilities, regrets, and unspoken desires. His journey is richly satisfying—from the lovestruck youth to the one left behind, and then to the one who gets his first love back. We get to know a wiser, emotionally complex Sang Yan, whose teasing conceals his own issues with love and timing. The drama picks up where the charming, quick-witted Sang Yan of Hidden Love left off, now living in adulthood. While he seemed carefree before, this story peels back his layers to expose the emotional depth behind his teasing and sarcasm.

For those who, like me, adored Victor Ma’s portrayal of Sang Yan in Hidden Love, it’s impossible not to miss him here. His naturalness and scene-stealing presence made him stand out. But Bai Jingting does a great job of carrying on the spirit of Sang Yan, delivering a more mature but still playful interpretation of the character we fell in love with. Opposite him, Zhang Ruonan delivers a beautiful performance, bringing quiet strength to the story. Her character has loved Sang Yan for years but had to leave him behind for heart-wrenching reasons. She undergoes her own journey—one of self-worth and moving on—making the two of them getting back together all the more fulfilling. Their chemistry is palpable, with lingering eye contact, banter, and emotional struggles that make the love story feel true and earned. It’s a romance founded on history, heartache, and ultimately, on healing.

The performances in The First Frost truly bring the story to life. Bai Jingting gets into the role of Sang Yan so naturally, both his charismatic, teasing side and his hidden emotional issues coming to the surface. He has you in hysterics with his sharp comebacks, yet he tugs on your heartstrings when his defenses begin to crumble. His interpretation relies so much on Sang Yan’s growth, regret, and emotional depth, so his journey to love is all the more poignant.

The direction is responsible for keeping this drama so gripping. The story is slow-building yet gripping, with emotion accumulating rather than resorting to forced dramatic confrontations. Nostalgic flashbacks, soft focus, and lingering close-ups create an intimate atmosphere, so that every second between the leads is all the more poignant. The cinematography is stunning in capturing the progression of their romance—from carefree memories of youth to the weight of pent-up emotion in adulthood.

And what is a drama without a good OST? The First Frost’s soundtrack is equally apt for its bittersweet, heartwarming mood. It may not have as iconic an OST as Hidden Love’s Forever Star or I Have Someone I Like, but the tracks here bring out the same feelings of wistfulness, love, and fate. The soft, lilting tunes contribute to the emotional beats of the narrative, so that you recall them long after the episode ends.

What is so compelling about this drama is the balance it strikes between nostalgia, humor, and emotional depth. We get to see Sang Yan’s gentler side, something that was just hinted at in Hidden Love, so his arc is all the more gratifying. Their dynamic is filled with years of pent-up feelings, so each moment is rich and full of significance.

For those who love slow-burn romance with a touch of angst and heartwarming moments, this drama is a treat. It is not better than Hidden Love to me, but it is still a beautifully narrated love story that lingers with you long after the final episode.

Happy Birthday to Min Yoongi, better known as Suga of BTS and Agust D.

This track, which serves as a pivotal moment in the Map of the Soul narrative, is heavily influenced by Carl Jung’s concept of the ‘shadow’—the repressed and often darker side of the self. Through its introspective lyrics, haunting production, and visually striking music video, Interlude: Shadow paints a visceral picture of the inner conflicts that come with fame. It also serves as an intersection between his two personas, blending the introspective vulnerability of Suga with the raw confrontation of Agust D.

The Shadow: A Concept by Carl Jung

Before delving into the song, let’s understand what Jung meant by the ‘shadow.’ Jung, a Swiss psychologist, described the shadow as the unconscious part of our psyche—comprising traits, fears, and desires we reject or suppress. Often, our shadow contains aspects of ourselves we may not want to confront, yet it inevitably influences our emotions and actions.

Jung’s concept of the shadow is part of a larger framework known as the Map of the Soul, which outlines the structure of the human psyche. This framework includes:

- Persona: The mask we wear to present ourselves to the world, shaped by societal expectations.
- Ego: The conscious mind, the ‘I’ we identify with.
- Shadow: The unconscious self, where repressed desires and fears reside.
- Anima/Animus: The inner feminine side of a man (anima) and the inner masculine side of a woman (animus), representing deeper emotional truths.
- Self: The ultimate goal of personal growth, where all aspects of the psyche—both conscious and unconscious—are integrated into a balanced whole.

For an artist like Suga, who has climbed to unimaginable heights, the shadow manifests as fears of losing himself in success, of reaching the top only to feel more isolated than before. Interlude: Shadow is an open dialogue with this unseen self, questioning the cost of his ambitions and the parts of himself he may have suppressed in his rise to fame.

The Lyrics

The song’s opening lines are deceptively simple: “I wanna be a rap star, I wanna be the top”. These words echo the unfiltered ambition of a young dreamer. But as the track unfolds, the tone shifts: “Don’t let me fly, now I’m scared. Don’t let me shine.”—a plea that reveals the anxiety accompanying his rise. The shadow speaks, acknowledging that with great success comes the fear of falling.

One of the most haunting lines in the song—“But my growing shadow swallows me and becomes a monster”—depicts how unchecked ambition and fame can consume a person. This mirrors Jung’s idea that the shadow, when left unacknowledged, can overtake the self and become overwhelming.

As the song progresses, Yoongi acknowledges the inevitable clash between his desires and fears: “The moment I faced myself brought the lowest / It so happens that I'm flying the highest.” This paradox reflects the tension between his public success and private struggles. Facing one’s shadow can be painful, yet it is necessary for growth.

The lyrics also address an internal debate, with the shadow challenging him: “All the things you wanted, you've got it all / So what's the problem? Just enjoy it / Or just let it go, no? Then run, or stop / Don't whine, just choose one or the other.” These words sound almost mocking, as if his own mind is questioning why he cannot simply be satisfied with his achievements.

Toward the end, the confrontation reaches its climax: “We are one body, sometimes we will clash / You can never break me off, this you must know.” This is the moment of reckoning—Yoongi acknowledges that he cannot escape his shadow. It is a part of him, inseparable from his identity. The final acceptance, “Yeah, yeah, can't break me off, whatever you do / Yeah, you'll be at ease if you admit it too”, suggests that true peace comes from embracing one’s shadow rather than fighting it.

This duality of yearning and dread is a recurring theme in Agust D’s discography. In The Last, he lays bare his struggles with mental health and fame, while Amygdala unearths painful memories. Here, in Interlude: Shadow, he personifies the push and pull between his public persona and inner fears.

Check out the full lyrics here.

The Music

The production of Interlude: Shadow mirrors the song’s lyrical battle. It begins with a slow, almost hypnotic melody, reminiscent of a confession. As the track progresses, the beat intensifies, growing chaotic, echoing the sense of spiraling out of control.

Unlike traditional hip-hop tracks, Interlude: Shadow weaves elements of rock and electronic distortions, adding an unsettling, almost suffocating atmosphere. This distortion reflects the turmoil of an artist losing grip on his sense of self.

This sonic chaos is part of a larger thematic trilogy within Map of the Soul: 7, where Persona (by RM) explores the external self, Shadow (by Suga) delves into inner fears, and Ego (by J-Hope) embraces self-acceptance. RM’s Persona is bright and bold, reflecting the masks we wear to interact with the world. J-Hope’s Ego, on the other hand, is celebratory and upbeat, symbolizing acceptance of all aspects of oneself. Shadow sits between them—a confrontation with the parts of ourselves we’d rather ignore, serving as the bridge between wearing a mask and fully embracing one’s true identity.

The contrast in sound across these three tracks highlights their thematic connection. While Persona is energetic and declarative, and Ego is vibrant and optimistic, Shadow is brooding and tumultuous. Together, they create a complete arc—one that reflects Jung’s psychological framework, guiding the listener through the journey of self-discovery.

The Music Video

Embracing the Shadow

Interlude: Shadow is more than just a song—it is a deeply introspective piece that lays bare the cost of ambition. Through its haunting lyrics, turbulent sound, and symbolic visuals, Suga brings Jung’s concept of the shadow to life, exposing the battle between the self we project and the fears we suppress. The song doesn’t offer easy answers because there are none. Instead, it presents the raw truth: the shadow is an inseparable part of who we are.

For Min Yoongi, this struggle is ongoing. As an artist who has climbed to staggering heights, he must constantly negotiate with his shadow, questioning whether success is worth the sacrifices it demands. Yet, through this confrontation, there is a glimmer of resolution. By acknowledging the shadow rather than resisting it, he takes a step toward self-acceptance. The final takeaway isn’t about conquering fears but understanding that they coexist with ambition—that light and darkness are two halves of the same whole.

Perhaps that is the greatest lesson Interlude: Shadow offers: we do not need to defeat our shadow. We only need to recognize it, listen to it, and learn from it.